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10.4081/hpr.2015.1932 http://scihub22266oqcxt.onion/10.4081/hpr.2015.1932 C4768528!4768528!26973966     free     free     free       Health+Psychol+Res 2015 ; 3 (3): ä Nephropedia Template TP {{tp|p=26973966|t=2015. A Theory Upon Origin of Implicit Musical Language |pdf=|usr=}}{{26973966}} gab.com Text A Theory Upon Origin of Implicit Musical Language JO: Health Psychol Res http://www.kidney.de/pget.php?&tw=1&pmid=26973966 #FOAvip The author suggests that the origin of musicality is implied in an implicit musical language every human being possesses in uterus due to a resonance and attunement with prenatal environment, mainly the mother. It is emphasized that ego-development and evolving implicit musical language can be regarded as parallel processes. To support this idea a lot of examples of musical representations are demonstrated by the author. Music is viewed as a tone of ego-functioning involving the musical representations of bodily and visceral senses, cross-modal perception, unity of sense of self, individual fate of ego, and tripolar and bipolar musical coping codes. Finally, a special form of music therapy is shown to illustrate how can implicit musical language be transformed into explicit language by virtue of participants? spontaneity, creativity, and playfulness. Twit Text FOAVip A Theory Upon Origin of Implicit Musical Language ????Health Psychol Res http://www.kidney.de/pget.php?&tw=1&pmid=26973966 #FOAvip Twit Text # Free Paper on # # # # # LINK http://www.kidney.de/pget.php?&tw=1&pmid=26973966 #FOAvip English Wikipedia <ref>{{Cite pmid|26973966}}</ref> A Theory Upon Origin of Implicit Musical Language #MMPMID26973966 Vas József P Health Psychol Res 2015[Nov]; 3 (3): ä PMID26973966show ga The author suggests that the origin of musicality is implied in an implicit musical language every human being possesses in uterus due to a resonance and attunement with prenatal environment, mainly the mother. It is emphasized that ego-development and evolving implicit musical language can be regarded as parallel processes. To support this idea a lot of examples of musical representations are demonstrated by the author. Music is viewed as a tone of ego-functioning involving the musical representations of bodily and visceral senses, cross-modal perception, unity of sense of self, individual fate of ego, and tripolar and bipolar musical coping codes. Finally, a special form of music therapy is shown to illustrate how can implicit musical language be transformed into explicit language by virtue of participants? spontaneity, creativity, and playfulness. äA Theory Upon Origin of Implicit Musical Language (epmc).pdf DeepDyve Pubget Overpricing