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10.3389/fsoc.2021.641630 http://scihub22266oqcxt.onion/10.3389/fsoc.2021.641630 34041293!8141725!34041293     free     free     free Warning: file_get_contents(https://eutils.ncbi.nlm.nih.gov/entrez/eutils/elink.fcgi?dbfrom=pubmed&id=34041293&cmd=llinks): Failed to open stream: HTTP request failed! HTTP/1.1 429 Too Many Requests in C:\Inetpub\vhosts\kidney.de\httpdocs\pget.php on line 215 Deprecated: Implicit conversion from float 213.6 to int loses precision in C:\Inetpub\vhosts\kidney.de\httpdocs\pget.php on line 534 Deprecated: Implicit conversion from float 213.6 to int loses precision in C:\Inetpub\vhosts\kidney.de\httpdocs\pget.php on line 534 Warning: imagejpeg(C:\Inetpub\vhosts\kidney.de\httpdocs\phplern\34041293.jpg): Failed to open stream: No such file or directory in C:\Inetpub\vhosts\kidney.de\httpdocs\pget.php on line 117       Front+Sociol 2021 ; 6 (ä): 641630 Nephropedia Template TP {{tp|p=34041293|t=2021. Exilic (Art) Narratives of Queer Refugees Challenging Dominant Hegemonies |pdf=|usr=}}{{34041293}} gab.com Text Exilic (Art) Narratives of Queer Refugees Challenging Dominant Hegemonies JO: Front Sociol http://www.kidney.de/pget.php?&tw=1&pmid=34041293 #FOAvip Within the Dutch hegemonic discourse, the "migrant other" is portrayed as almost incompatible with "national culture" while it is simultaneously pressured to assimilate. This creates paradoxes for the queer refugee participants in this study. When these refugees assimilate, they risk reinforcing the dominant discourse considering their group as the "backward other". When they do not assimilate, they are considered not "properly" Dutch. This paper explores how queer refugee artists can unsettle such dominant exclusionary discourses through exilic (art) narratives. Their experiences of exilic positioning (being neither there nor here) and queer liminality (e.g., nonbinary gender identifications) and their intersectional positionalities situate these artists in various "states of in-betweenness". Although these states may be challenging, this paper shows how they can also stimulate agency. Inspired by a feminist approach, this study aimed to co-create knowledge with rather than about participants, focusing on creativity and resilience. Methods included biographical interviews and an arts-informed component in which participants were invited to create artistic works concerning their experiences during COVID-19 for an online platform. This study shows how the research participants challenge hegemonic discourses at various levels, using multiple modes of reflection and creation while engaging with their in-between situatedness. At the individual level, they challenge discourses by exploring (or performing) their non-conforming queer positioning through their art practices. At the communal level, plural reflexivity is triggered via art shared within and outside the community. At the societal level, queer refugees exercise activism creatively through images, songs or performances. Twit Text FOAVip Exilic (Art) Narratives of Queer Refugees Challenging Dominant Hegemonies ????Front Sociol http://www.kidney.de/pget.php?&tw=1&pmid=34041293 #FOAvip Twit Text # Free Paper on # # # # # LINK http://www.kidney.de/pget.php?&tw=1&pmid=34041293 #FOAvip English Wikipedia <ref>{{Cite pmid|34041293}}</ref> Exilic (Art) Narratives of Queer Refugees Challenging Dominant Hegemonies #MMPMID34041293 Holle F; Rast MC; Ghorashi H Front Sociol 2021[]; 6 (ä): 641630 PMID34041293show ga Within the Dutch hegemonic discourse, the "migrant other" is portrayed as almost incompatible with "national culture" while it is simultaneously pressured to assimilate. This creates paradoxes for the queer refugee participants in this study. When these refugees assimilate, they risk reinforcing the dominant discourse considering their group as the "backward other". When they do not assimilate, they are considered not "properly" Dutch. This paper explores how queer refugee artists can unsettle such dominant exclusionary discourses through exilic (art) narratives. Their experiences of exilic positioning (being neither there nor here) and queer liminality (e.g., nonbinary gender identifications) and their intersectional positionalities situate these artists in various "states of in-betweenness". Although these states may be challenging, this paper shows how they can also stimulate agency. Inspired by a feminist approach, this study aimed to co-create knowledge with rather than about participants, focusing on creativity and resilience. Methods included biographical interviews and an arts-informed component in which participants were invited to create artistic works concerning their experiences during COVID-19 for an online platform. This study shows how the research participants challenge hegemonic discourses at various levels, using multiple modes of reflection and creation while engaging with their in-between situatedness. At the individual level, they challenge discourses by exploring (or performing) their non-conforming queer positioning through their art practices. At the communal level, plural reflexivity is triggered via art shared within and outside the community. At the societal level, queer refugees exercise activism creatively through images, songs or performances. äExilic (Art) Narratives of Queer Refugees Challenging Dominant Hegemon(epmc).pdf DeepDyve Pubget Overpricing