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10.1080/17540763.2012.702680 http://scihub22266oqcxt.onion/10.1080/17540763.2012.702680 C4851239!4851239 !27152120     free     free     free Warning: file_get_contents(https://eutils.ncbi.nlm.nih.gov/entrez/eutils/elink.fcgi?dbfrom=pubmed&id=27152120 &cmd=llinks): Failed to open stream: HTTP request failed! HTTP/1.1 429 Too Many Requests in C:\Inetpub\vhosts\kidney.de\httpdocs\pget.php on line 215 Warning: imagejpeg(C:\Inetpub\vhosts\kidney.de\httpdocs\phplern\27152120 .jpg): Failed to open stream: No such file or directory in C:\Inetpub\vhosts\kidney.de\httpdocs\pget.php on line 117       Photographies 2012 ; 5 (2 ): 179-202 Nephropedia Template TP {{tp|p=27152120 |t=2012. Medical Archives and Digital Culture |pdf=|usr=}}{{27152120 }} gab.com Text Medical Archives and Digital Culture JO: Photographies http://www.kidney.de/pget.php?&tw=1&pmid=27152120 #FOAvip When BioShock was released in 2007, reviewers praised the moral complexities of the narrative and the game's dystopian vision of what Ayn Rand dubbed the "virtue of selfishness". What critics overlooked was the extent to which the disturbingly realistic artwork and musical score relied on found images and sound, including a recording of distressed breathing from a physician's website, and digitised First World War medical photographs of soldiers with facial injuries. This article examines the implications of these acts of appropriation from a range of critical perspectives including Susan Sontag's commentary on the representation of suffering; recent literature on the ethics of computer games; and an online discussion forum in which players of BioShock discuss the moral "grey areas" of the game. Twit Text FOAVip Medical Archives and Digital Culture ????Photographies http://www.kidney.de/pget.php?&tw=1&pmid=27152120 #FOAvip Twit Text # Free Paper on # # # # # LINK http://www.kidney.de/pget.php?&tw=1&pmid=27152120 #FOAvip English Wikipedia <ref>{{Cite pmid|27152120 }}</ref> Medical Archives and Digital Culture #MMPMID27152120 Biernoff S Photographies 2012[Sep]; 5 (2 ): 179-202 PMID27152120 show ga When BioShock was released in 2007, reviewers praised the moral complexities of the narrative and the game's dystopian vision of what Ayn Rand dubbed the "virtue of selfishness". What critics overlooked was the extent to which the disturbingly realistic artwork and musical score relied on found images and sound, including a recording of distressed breathing from a physician's website, and digitised First World War medical photographs of soldiers with facial injuries. This article examines the implications of these acts of appropriation from a range of critical perspectives including Susan Sontag's commentary on the representation of suffering; recent literature on the ethics of computer games; and an online discussion forum in which players of BioShock discuss the moral "grey areas" of the game. äMedical Archives and Digital Culture (epmc).pdf DeepDyve Pubget Overpricing